My research considers photography as a material and perceptual practice, in which the image does not represent reality but interrogates the conditions of its appearance. I work exclusively with analog processes, entrusting the relationship between light, matter, time, and support with the generation of form.

Darkroom printing constitutes the final and decisive moment of the process, where the image acquires density, duration, and critical responsibility. Black and white is not an aesthetic choice but a necessity: a space of active memory in which subtraction makes visible what endures.

Each work emerges from long-term research and is conceived for slow, critical, and institutional reading. The images do not present themselves as closed statements, but as open structures, meant to be traversed over time.

Photography thus becomes a site of thought and tension, where matter retains light and time reveals itself as experience. Within this space, the image does not dissolve into the instant, but persists as a responsible form of vision.